Last stop was the Jewish History Museum. Designed by Libeskind in '07, this modern building housed some really creep exhibits. One space contained over 10,000 iron disks, all with faces, in which you walk across and feel how little power and massive amounts of power there were during the war. One space contained absolutely nothing in a three story room, all there was was a small light from outside- otherwise pitch dark. There was also a garden in which the ground was sloped, but the 20-14 foot tall planters were positioned completely verticle. While walking through, you become sick just with your brain trying to wrap itself around the imperfect perfection.
WEDNESDAY:
In east central Berlin, where bombs completely destroyed everything in the area, competitons were held for architects in the early 90s. Each architect was given an area do design a group of buildings. We started in Helmut Jahn's Sony Center. The buildings comprise offices, shops, hotel, and residential. He designed a courtyard in the center of all the buildings and built a massive sunscreen covering the entire courtyard. It is all designed with suspension cables, glass, and canvas. Just amazing architecture.
Next was Renzo Piano's buildings. Again, mostly offices within a theater district. We were lucky enough to get a tour of one of the main theaters. They took us backstage, on the stage, and all throughout the building. The entire structure was based on floating- everything from the seats in the auditorium, to the stairs leading to it, to the roof structure apear to be floating. The details were superb.
Then there was a little bit of home. Mies designed an art gallery in central Berlin very similar to Crown Hall. Small differences include a cantelivered roof over all four sides and crusified columns. Other than that- it was Crown. The best part about this building was that Mies thought the building itself was the piece of art and expected visitors to come see his building first, and the art second. So the entire first floor is completely open with nothing inside- the basement is where the gallery is.
THURSDAY:
We started the day at the Reichstag- the parliament building. Before the war, there was a massive dome in the center of the building, but the majority of the Reichstag was destroyed during the war. Foster desgined the addition with a massive glass, inhabitable dome in which visitors can walk through and up to the top of the dome and look straight down into parliament taking place below. They are very much about open goverment today. There is a large mirrored structure in the center which brings light all the way from the top into the parliament below.
Next we walked by the train station. This was the biggest undertaking of all buildings in Berlin. It is all glass with a glass tube protruding through. There are light trusses that go from the outside, to inside, to outside again supporting the tube allowing for more interior space and make the tube appear floating with grace.
Hotel Adlon. This is the hotel Michael Jackson held his son, Blanket, out of the balcony from.
Frank Gerhy- before he was really Gehry. This is a bank that looks completely normal on the outside. It is very minimal and clean, but when we enter, the lobby of the bank is filled with Gehry as a sculpture. I always thought of Gehry first as an artist, and second as an architect- and because of this, I think this is the best building I have seen designed by him. The entire structure wasn't a piece of art, instead it was controlled and he was able to create sculpture and program together. Inside that massive piece of art are conference rooms and cafeteria.
I.M. Pei's museum. Very simple, low budget building. It had a beautiful exterior staircase, but the interior concrete was amazing. The formwork was hardwood flooring- giving the concrete a clean and expensive look.
Rem Koolhaas's Dutch Embassy. This building's just ok. There was a lot of un-inhabitable spaces that were basically just wastes of money. But the facade was made of punched aluminum with a concrete struction behind- it gave it a very light and airy feeling I haven't seen before in a facade.
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